In that sense, models are easy to manage because their private lives don’t require so much oversight.”īut changing tastes are a constant, and with smartphones now ubiquitous and promotional videos available on YouTube at all hours, fans have become more discerning as to who has genuine talent and marketable appeal. They police themselves, so you don’t have to warn them not to stay out drinking until all hours.
Idol manager concert skin#
B, manager of a modeling agency at the time, observes: “Given the nature of their work, models take good care of their skin and are careful to stay in shape. These popular models boosted the magazine’s circulation and led to the birth of sister publication AneCan in 2007. Many of the best-known names of the era-Yamada Yū, Ebihara Yuri, and Oshikiri Moe-started out as models for CanCam, a monthly fashion magazine for young women. The ranks of aspiring show business stars were soon filled by models projecting a kawaii image of girlish innocence. He recalls: “I felt that audiences had started yearning for personalities with a ‘clean’ image rather than busty girls who were taking their cleavage as far as it could go.” Fashion Model Popularity Didn’t Last
Idol manager concert tv#
He kept an eye on television trends as part of his job and soon realized that TV programs were increasingly favoring fashion models over bikini girls. A started working in the business, he sensed that the tide was turning. Yellow Cab launched pin-up girls like Satō Eriko, Hinagata Akiko, and Koike Eiko into acting careers.
The more exposure his charges got early on, the more income they generated.” Only after this would he put them into acting, singing, and dancing lessons. “First, he would get them maximum exposure in magazine centerfolds and on television. A talks about Noda’s skill at launching his stable of female talent into acting careers, bypassing the usual initial investment essential in the idol business. For many young women, being featured as a pin-up girl was the first step toward an entertainment business career. The most popular figures in those days were busty pin-up girls fielded by Yellow Cab, a talent agency headed at the time by Noda Yoshiharu. A starting working at talent agencies in the early 2000s, the era of one-person acts like Matsuda Seiko and other entertainers was already over. Satō Eriko, in a photo taken in August 2005. According to him, “the idol business seems glamorous, but it’s fraught with risk. A, in his early forties and formerly a manager at a number of major talent agencies, talks about the idol trends he has observed on the front lines. The ups and downs of the entertainment business also reflect the tone of the times. Some succeed, but many others sink without a trace. Many starry-eyed young people dream of becoming “idols”-show business stars.
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